Archive for the 'Uncategorized' Category

The Great Digital Divide

January 10, 2011

This is an excerpt from the Sound Advice monthly Newsletter.
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If you were born prior to 1975, chances are computers elude you to some extent, if not completely—unless you’ve worked in a field where computers and technology played a dominant role. Or unless you’ve made a concerted effort to expose yourself to today’s continually advancing technology, you may have fallen behind on what you need to know to advance your career as a talent.

It wasn’t that long ago that MP3s became a standard production element, or the Internet became a common utility. When they did it left scores of very skillful talent out in the cold. Suffice it to say, the industry hasn’t been the same since. Prior to that, embracing technology was never really required of talent. Your agent would call your ‘service’ and you’d show up the next day at the studio and that’d be the extent of it.

The upside of this former audition process was it afforded talent face-time with casting directors, and fewer talent were called in to audition per project.

However, times change. And while technology today may offer far more talent the opportunity to audition for the same project, the benefit is there’s at least 10 times more work to audition for than in years past.

And, as always, you’ll only manage to survive to the extent you’re willing to learn how to make yourself known and available to the work. Whether you work or not relies on if you can be reached, via text, voicemail, and email. You can make yourself known, via your web site, online casting services, Facebook, LinkedIn and electronic submissions. We now have common place advances designed to make your life easier. And they will… if you embrace them.

Exhale. You may find you enjoy this. Enter: The Jetson’s.

“Me No Feel So Good”

January 12, 2009

by Kate McClanaghan, www.voiceoverinfo.com

sneezes-blog

Ah-choo! Sniff, sniff.

It’s that time of year again when here at SOUND ADVICE, we are most often asked, “Should I go to an audition/gig if I’m sick?”

Well, certainly if you’re contagious and running a substantial temperature, the responsible thing to do is stay home.

You’d think that’d be a no-brainer and it would be, except, when faced with this situation, you may feel a bit torn.

If we’re referring to a booking (a job), then, yes, that’s a real problem. The studio’s already been booked, if it’s a voiceover, and the company will be charged for any last minute cancellations. If it’s an on-camera production, there are crew and fellow actors relying on you as well, so calling in sick can become rather complicated.

You must assess the situation honestly and completely, without amping up your symptoms for dramatic effect. The opposite also applies: don’t down play the situation if it’s clear you have acute appendicitis or something.

We actors have it hammered into us early on in our training that we are expected to accept every audition and job without question no matter what.  While there is a good deal of truth in that, there are rare exceptions. For example you should never arrive grossly ill. This is a deal-killer on so many fronts, not the least of which is the fact it shakes others confidence in you.

If you’re simply feeling a bit under the weather, it’s probably best to just buck up and rise to the occasion. Getting to the audition, especially if you haven’t been landing many callbacks of late, is half the battle. We all have to play through a handicap from time to time. This applies to arriving for scheduled coaching and acting sessions as well! It’s amazing how good you might feel by simply being productive.

As a professional, you’re expected to maintain your health. When a production is threatened due to a Principal player being ill, producers are less likely to trust whether you will pull through for them in the future and therefore will be less likely to hire again.

Our aim, as talent, is ALWAYS repeat bookings from the producers, directors and casting directors, or at the very least make those who’ve hired you so happy they can comfortably and confidently refer others to hire you in the future as well.

No matter what, you’re expected to be responsible as well as driven enough to show up and deliver the goods whenever you’re booked.

If you’re sick the day of an audition, again you’re expected to be a grown-up and assess the situation.

Of course, it’s always best to attack cold or flu symptoms in the first 24-48 hours and I can’t speak enough to homeopathic remedies such as Echinacea with Golden Seal, ‘Airborne’ and ‘Emergen-C’, for instance. But again you have to catch it early, so it’s up to you to always have these things on hand.

This is your career, after all. It’s your chosen field, so you must run it as best you can while doing your level best to remain healthy and upbeat, and often in the face of a great deal of adversity.

So, choose wisely, Young Grasshopper.
And take care of yourself, your future reputation depends on it. 

Pursue, Persist, Prepare, and Promote

November 19, 2008

“Great works are performed not by strength, but by perseverance.” –Samuel Johnson

Pursue, prepare, persist and promote. These four elements are absolutely vital to succeed at ANYTHING. They are required of you as a talent regardless of your experience or skill level. They simply never go away if you expect to continue your career—It’s up to you to ensure these balls are continually in play.

Whatever it is you may end up doing in this business, success will occur only if you pursue it. It won’t come to you no matter how much talent you may have and regardless of how much nepotism you may have at your access. Ultimately it falls to YOU. So set your sights on what you intend to accomplish and then persist upon your pursuits.

If you’re easily frustrated, don’t apply yourself consistently, or you simply give up, you’ll never know for yourself what could have been created without some persistence on your part, and very often with that, patience. That said, there are times when you should not wait idly by and be patient. That’s why patience isn’t included in our little alliteration here.

Preparation is continually required of you as a talent on a variety of levels. Your own skills will develop as you continue to work them, so keep on it. The moment they lay dormant, your professionalism will be shaken. And with that, so will your confidence. And with that, your integrity (something no one can afford to lose, especially in this business!) So continue to prepare. It’s vital to keep your skills sharp.

Then there’s promotion. Frankly, so many artists repel this puppy that many fall into oblivion without ever even giving self-promotion a fair shot. I think it was Charles Grodin who said, “It doesn’t take one big break, it takes about fifty.” He’s right. But that doesn’t occur left to its own devices.

If you leave your career alone, I promise you, nothing will happen.

If it’s some sort of ‘humility’ thing that keeps you from promoting yourself, consider this: there are a great many talent who, at the onset of their careers have minimal skills, yet have miles and miles of promotional chutzpah who end up on top, while scores of ‘creative geniuses’ end up in their dust. Believe me, there is nothing more humbling than that! Concentrating on all that ‘humility’ will only accomplish the ultimate of all humbling experiences—complete and utter failure. (Perish the thought.)

The fact remains: people who persist at promotion inevitably succeed. Granted, they may be something of a one-trick pony at the start, but through perseverance and proper promotion, these folks gain experience after becoming known to those most likely to hire them. And all this, often to the chagrin of those ‘creative geniuses’ who’ve always known perfectly well they could (and should) be working twice as much as they are, if it weren’t for their Achilles’ Heel: they’re above self-promotion.

The sad fact is there are far more ‘creative geniuses’ out there who end up falling between the cracks leaving their remarkable talent to die on the vine because they don’t know how nor want to face promoting themselves. They ‘only wanted to act’. These actors secretly hope someone will come along and do it for them, rather than taking any responsibility for their careers themselves.

So, while these ‘creative geniuses’ are off doing nothing to make themselves known, gradually those ‘less-talented’ promotional hotshots are gaining experience and becoming more and more valuable to their agents and to producers and directors that enjoy working with them. And, if they continue to stay with it, they will eventually become consummate professionals, often completely bypassing those ‘creative geniuses’ who will never fully understand the importance promotion truly is to realizing their dreams.

It’s a tale as old as the industry itself.

So, when you find yourself up against it, keep your eye on the ball in play by considering the following:

• Determine what it is you’re trying to accomplish as a talent.

• Keep your skills sharp by working them DAILY. Do something each day that drives you closer to your overall goals.

• Find out what it is you need to know to get you closer to your aims. Discover who knows what you need to know to PURSUE, PREPARE AND PROMOTE… and then apply yourself!

• You need to create momentum to propel a career… and that starts NOW.

• Elevate your standards. Keep them high. But get on with it. Quantity precedes quality. Again, keep the ball in play. Keep the mule train moving forward.

Acting is your small business. Run it well. But RUN it! 

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